The Curious Case of the Artist in the Archives

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What did you do during the pandemic? That seems to be the question now. For Jessica Esch, her insatiable curiosity combined with her serendipitous discovery of oral histories in the Smithsonian Institution’s Archives of American Art led to the creation of a new form of art she calls typelooping.

Totally – Jessica Esch: Fill in the Blanks, November 2020; Source Quote: Oral history interview with Kay WalkingStick, 2011 Dec 14-15. Archives of American Art, Smithsonian Institution. (Page 19 and Pages 23-24, respectively) Details: 1938 Corona St…

Totally – Jessica Esch: Fill in the Blanks, November 2020; Source Quote: Oral history interview with Kay WalkingStick, 2011 Dec 14-15. Archives of American Art, Smithsonian Institution. (Page 19 and Pages 23-24, respectively) Details: 1938 Corona Standard typewriter Underwood-Olivetti Studio 44 typewriter Frosted Flakes cereal

Jess dove into oral histories at the Archives, devouring the transcripts of female artists 60 and older. The first transcript she read remains her favorite – that of the mixed media and textile artist, Barbara Lee Smith. So, what did Jess do? Typed Barbara a 10-page letter and mailed it with no expectations of a reply. But Barbara Lee Smith did - “You’ve given me a present, by the way, in telling me that those two days of (relaxed, but difficult) talking about myself had meaning for someone else.” And a friendship was born – Zoom calls, Instagram messages, emails – between two very different artists of different generations from different parts of the country.

Inspired by the Archives, Jess created typelooping to entertain herself during the banality of pandemic life. She used it to learn about other people’s lives, make use of the ‘stuff at hand’ as ‘paper’ for her typewriters and type words as she saw fit, often starting with the women she’d ‘met’ in the Archives. The Archives shared Jess’s story last week! She’s featured in a two-part series as part of the Archives of American Art and Smithsonian Voices blog.

Zing – Jessica Esch: Fill in the Blanks, November 2020; Source Quote: Oral history interview Lee Krasner, 1964 Nov. 2-1968 Apr. 11. Archives of American Art, Smithsonian Institution. (Page 27).  Details: Underwood-Olivetti Studio 44 typewriter,…

Zing – Jessica Esch: Fill in the Blanks, November 2020; Source Quote: Oral history interview Lee Krasner, 1964 Nov. 2-1968 Apr. 11. Archives of American Art, Smithsonian Institution. (Page 27).  Details: Underwood-Olivetti Studio 44 typewriter, Popcorn bag, 8 1/8” x 14”

You know, I’m not surprised Jess found her way to something new, to the Archives, to a friendship with Barbara Lee Smith or even the featured blog posts. Why? Curiosity, serendipity and a diverse network are a perfect habitat for blue lobsters.

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And Jess should know, because she created my blue lobster logo.

You can hear more of the story on April 6th from 7-8pm (Space is limited!) when Jess talks typelooping with Sarah Baker. Then please, set aside time to meditatively peruse her Fill in the Blanks typelooping series at shinebolt.com. It will add joy, light, and hope to your day, your week, or if you’re like me, your life.

When Happiness = Disrupting! #DisrupTV!

#DisrupTV Episode 224!!!! Ray Wang, Constellation Research & Vala Afshar, Salesforce

#DisrupTV Episode 224!!!! Ray Wang, Constellation Research & Vala Afshar, Salesforce

A few weeks ago, I got to hang with 2 amazing people who always make us learn and laugh - Ray Wang, CEO of Constellation Research and my dear friend, Vala Afshar, Chief Digital Evangelist of Salesforce & communicator extraordinaire. This was my 3rd visit on DisrupTV!! If you want to learn about, and learn how to apply, the latest in technology for impact, you must watch DisrupTV and follow Ray & Vala on twitter.

One of our (mine & Vala’s) favorite stories is how we met and how Vala, through his network, made such a difference in the life of a kid with cancer, being supported by one of my students (now alum) & mentees who founded Connecting Champions.

It’s 202‽

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2021 - maybe it’s better to say December 42, 2020 instead of January 11, 2021 (kafkaesque?). We so want major demarcations in time to be major demarcations in hope, optimism, aspiration… change! Sure doesn’t feel like it this year, at least so far. But, I think it will - and to help make that happen, let’s start making our own time-based demarcations, based on our time vs. time imposed by some calendar, society, expectation of the way things ought to be.

So, my 2021 time-based demarcation a punctuation mark - the 54-year old interrobang, a forgotten and perfect punctuation mark for 202‽. Feel free to join me! Use this remarkable, timely, integrated (!?) punctuation mark - set your own timeframes, demarcations and mark them with a

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